Tuesday, December 22, 2009

Hungry Like The Wolf



Damn right I had Freeze Frame on cassette. Former J. Geils frontman Peter Wolf has a new solo record coming out, and it includes duets with Merle Haggard and Shelby Lynne. Am I the only one hoping for a redux of the "Centerfold" video with Shelby Lynne?

Here's the press release:
'Midnight Souvenirs'...(Verve/UMe, April 6, 2010) Peter Wolf's seventh solo album, is a continuation of the singer-songwriter's distinctive and eclectic tales that brighten and interpret a world gone noir. Following in the tracks of Wolf's Sleepless, which was honored by Rolling Stone Magazine as one of the '500 greatest albums of all-time,' the new collection gives hope to the love-wounded and promises 'there's still time for the midnight wine," even if "sometimes you heal, sometimes you're scarred."

Featuring duets with country legend and national treasure Merle Haggard, the soulfully transcending and dynamic Grammy award winner Shelby Lynne and the haunting and majestic voice of Neko Case, 'Midnight Souvenirs' integrates and embraces rock, R & B, blues, folk and country in a way that has distinguished Wolf's storied career. Measurable are his decades as the leader and frenzied focal figure of the J. Geils Band, with whom he showcased his talents on such hits as "Centerfold," "Freeze Frame," "Love Stinks" and "Musta Got Lost."

Wolf's musical roots precede rock and roll, and are personally entwined with friendships and performers such as the late Muddy Waters, John Lee Hooker, Aretha Franklin and Van Morrison. His talents have continued into the music of tomorrow with tours and on-stage antics with the Rolling Stones, U2, Kid Rock, and Bruce Springsteen.

'Midnight Souvenirs' was packed fair and square in the studio by Wolf and Kenny White, who also co-produced 'Sleepless' and 1998's 'Fools Parade,' celebrated as one of the "50 most influential albums of the '90s" by Rolling Stone Magazine. As on those two discs, the majority of the new songs were co-written with Oscar winner Will Jennings, whose pen yielded Eric Clapton's "Tears From Heaven," Steve Winwood's "Higher Love," and Joe Cocker and Jennifer Warens duet "Up Where We Belong." Also contributing to the album were songwriters Angelo Petraglia and Taylor Rhodes, whose songs have been recorded by Kings of Leon and Aerosmith.

The 14 songs on the album range from the country blues of "Tragedy" with Shelby Lynne and the hard-rockin' "The Night Comes Down," dedicated to the late Willie DeVille, to the bittersweet texture of "It's Too Late For Me" with Merle Haggard, and the punchline impact of vintage Philly roots R & B on "Overnight Lows." Wolf and Neko Case deliver an eternal bouquet on "Greenfields of Summer."

The timelessness of 'Midnight Souvenirs' spans decades and musical genres and travels into the after hours of silhouetted smoky clubs, as well as to the deep delta of America's South with its sounds of shake, rattle and roll.

"I never obsess about the commercial aspect of my music, just like with my artwork," says Wolf, also an accomplished painter whose art world connections have included Norman Rockwell, Mark Rothko, Andy Warhol and Director David Lynch.

"What matters is if the painting is interesting to keep or show to somebody." It's the same with the songs; you hope people will make an emotional connection. I absorb the influences and reshape them," he says. "The act of creation is what gives meaning to my life and keeps me going--in music and in art."

That passion was evident, as Wolf pursued the project in studios from Boston to New York to Los Angeles. Night after night of midnight wine and of setting the scenes for the melodies of lost love, backroom laments and new expectations.

Midnight Souvenirs...the black leather pants and high-topped boots that minutes ago walked the rain-splattered streets are now piled on an overstuffed chair. In the deep background is the love of love and the love of music. Hear these nocturnal souvenirs...in fourteen soul-stirring segments of sound.

'Midnight Souvenirs' track list:
1. Tragedy - with Shelby Lynne
2. I Don't Wanna Know
3. Watch Her Move
4. There's Still Time
5. Lying Low
6. The Green Fields Of Summer - with Neko Case
7. Thick As Thieves
8. I'm Always Asking For You
9. Leaves Us All Behind
10. Overnight Lows
11. Everything I Do Gonna Be Funky
12. Don't Try And Change Her
13. The Night Comes Down (for Willy Deville)
14. It's Too Late For Me - with Merle Haggard

Monday, December 21, 2009

Truckers Tune Up For Number 10

ATO Records is pleased to announce the signing of Drive-By Truckers and their label debut, The Big To-Do. The album, which will be the band’s tenth in their thirteen-year career, is scheduled to be released March 16, 2010. The Big To-Do features thirteen new tracks from the Drive-By Truckers and was produced by their long time producer, David Barbe (Sugar, Bettye LaVette). “It’s very much a rock album,” says Patterson Hood of the Trucker’s upcoming release. “Very melodic and more rocking than anything we’ve done since disc 2 of Southern Rock Opera.”

The inspiration for The Big To-Do came to the band during their time on the road. “We’ve often set our songs and albums in different periods of time, but this one finds us directly in our present. Riding all through the highways of America (and Europe) trying to make sense of a very different world than the one we grew up in,” says Hood. “I don’t write a lot of songs on the road, but I did more than usual on this album and many more were inspired by or set there, either in a literal sense or something I witnessed or heard about while I was out there.”
Hood and Mike Cooley continue to be the chief songwriters of the group, continuing a musical partnership that has lasted over twenty-three years. Bassist, Shonna Tucker, flexes her songwriting muscles once again by contributing two original songs to the album. Brad Morgan (drums), John Neff (guitar/pedal steel) and Jay Gonzalez (keyboards) round out the current Drive-By Truckers lineup.

The band recently backed legendary R&B musician, Booker T. Jones, on his critically acclaimed, Grammy-nominated album, Potato Hole. The album is nominated for Best Pop Instrumental Album and Best Rock Instrumental Performance.
The Drive-By Truckers will be hitting the road at the beginning of the new year. A full tour supporting The Big To-Do will be announced in early 2010.

The Big To-Do Track Listing:
1. Daddy Learned to Fly
2. The Fourth Night of My Drinking
3. Birthday Boy
4. Drag the Lake Charlie
5. The Wig He Made Her Wear
6. You Got Another
7. This Fucking Job
8. Get Downtown
9. After the Scene Dies
10. (It’s Gonna Be) I Told You So
11. Santa Fe
12. The Flying Wallendas
13. Eyes Like Glue
14. Girls Who Smoke (Bonus track – vinyl only)

Drive-By Truckers on tour:
1/28 Huntsville, AL Crossroads Music Hall
1/29 Mobile, AL Soul Kitchen
1/30 Tuscaloosa, AL Jupiter Bar & Grill
2/11 Greenville, SC Handlebar
2/12 Raleigh, NC Lincoln Theatre
2/13 Raleigh, NC Lincoln Theatre
2/14 Knoxville, TN Bijou Theatre
2/25 Charlotte, NC Neighborhood Theatre
2/26 Charlottesville, VA Jefferson Theatre
2/27 Charlottesville, VA Jefferson Theatre

Friday, December 18, 2009

In The Studio with R.E.M.

What's The Frequency New Orleans? Legendary rock band R.E.M. has just wrapped up a very quiet three week stay in New Orleans while recording the first pieces to their upcoming 15th studio record. While the band was in town they embraced some well known New Orleans horn players including trombonists Mark Mullins, Craig Klein and Greg Hicks from Bonerama, plus Leroy Jones and Shamarr Allen on trumpets with Mullins providing the horn arrangements.

The site of the work was the lower garden district's Music Shed recording studios with famed producer Jacknife Lee (U2, Weezer) at the helm. There is no word about a working title or release date. Bonerama has crossed paths before with R.E.M.'s bassist Mike Mills in previous Future Music Coalition "Bringing Musicians Home" concerts at Tipitina's and most recently in Washington, D.C. in conjunction with the FMC's Policy Summit focusing on issues related to the FCC's policies for music in digital technologies and the Internet. Mike Mills was also present when Bonerama brought Tony Clifton to the stage at the very first, now infamous, FMC show at Tipitina's in 2006.

Videos of R.E.M.'s stay in New Orleans through the lens of Michael Stipe are already circulating around the Internet including Stipe's personal videos from the sessions with the Bonerama horns and friends.

In addition to spending time at The Music Shed studios with R.E.M., the band is also in the process of recording their next record. The as-yet untitled album will be Bonerama's fourth and first full-length studio effort. Following hot on the heels of the concentrated and potent Hard Times EP, the album is tentatively scheduled for release in the Spring of 2010. Stay tuned to BoneramaMusic.com for more news and details in the upcoming months.